TACTICAL ENTANGLEMENTS: AI Art, Creative Agency, and the Limits of Intellectual Property, dr. Martin Zeilinger, MESON PRESS, July 2021
L’INTERNATIONALE ONLINE: DEGROWTH AND PROGRESS, ed. Sara Buraya Boned and Ida Hiršenfelder, RESOURCES – L’INTERNATIONALE BOOKS, February 2021
Maja Smrekar and Gjino Šutić: reProductive narratives, CreaTures/Creative Practices for Transformational Futures is EU_H2020; January-February 2021
Maja Smrekar: Internationale, 44 days,publisher Ujazdowski Castle Centre for Contemporary Art, Poland, Issue No. 15 / 2020
Domen Ograjenšek: MAJA SMREKAR - Beyond Domesticity, FOTOGRAF Magazine: Living With Humans, #35, March 2020
Maja Smrekar: The Survival Kit for the Anthropocene—Trailer, Ecocene: Cappadocia Journal of Environmental Humanities, Turkey, Vol. 1 No. 2 (2020): December
Eva Smrekar, K-9_topology, MASKA Magazine 34, Winter 2019, Slovenia
Florence Fitzgerald-Allsopp, Becoming-with-Animal: Cultivating a Feminist Understanding of Human-Animal Transformation in Contemporary Performance Art, Master’s Thesis | Contemporary Theatre Dance & Dramaturgy Utrecht University | May 2019; Supervisor: Dr. Sigrid Merx | Second Reader: Dr. Laura Karreman
Vid Simoniti, The Living Image in Bio-Art and in Philosophy, Oxford Art Journal, Volume 42, Issue 2, August 2019, Pages 177–19. OXFORD ART JOURNAL | OXFORD ACADEMIC
Audronė Žukauskaitė, Hybrids, Chimeras, Aberrant Nuptials: New Modes of Cohabitation in Bioart, Vol. 31, No. 1. 2019, 2-7, Theatre and Continental Philosophy, Association of Nordic Theatre Scholars
Robyn Lee, The Ethics and Polirics of Breastfeeding: Power, Pleasure, Poetics, Univesity of Toronto Press, 2018
Mojca Kumerdej: Inner Edges and Borders of Culture, Politics of Life and Death Section // May 2018, L'internationale: PLATFORM CONSTELLATION OF EUROPEAN MUSEUMS
Djoymi Baker, My Monster: The Human-Animal Hybrid, RMIT Gallery 29 June – 18 August 2018, Artlink Magazine
Polona Tratnik, Art in Contemporaneity, Orion Art (2018), Paperback
“Heavenly Beings: Neither Human nor Animal” by Alenka Gregorč Museum of Contemporary Art Metelkova, Ljubljana, October 2018, ART AGENDA REVIEWS
Olga Majcen Linn, Subversiveness in Hybrid Art Practices (42-65), Život umjetnosti : časopis o modernoj i suvremenoj umjetnosti i arhitekturi, Vol. 102 No. 1, 2018
Magdalena Kozhevnikova (Russian Academy of Sciences), In search of human happiness: experiments in the field of human hybridization and chimerism, KULTURA – MEDIA – TEOLOGIA, ISSN 2081-89-71, 2018 nr 34, s. 95–110
Susan Merrill Squier, Epigenetic Landscapes: Drawings as Metaphor, Duke University Press, 2017
Vid Simoniti, ‘Artistic Research at the Edge of Science.’ OAR: The Oxford Artistic and Practice Based Research Platform Issue 1 (2017)
dr. Polona Tratnik, Maja Smrekar’s Biopolitical Manifesto from a Philosophical Perspective, Moni tor ISH (2017), XIX/2, 65–80
Vera H.J.R. Weetzel, Bioart interventions into the biotechnology discourses on hormones – MA Thesis,18-08-2016 Gender Studies MA, Utrecht University
Corrado Nai, Boris Magrini and Julia Offe, Let microorganisms do the talking, let us talk more about microorganisms, Nai et al. Fungal Biol Biotechnol (2016) 3:5
Jessica Ullrich, Experiment: Tierstudien10/2016, Paperback (134 pages) – October 2016, Neofelis Verlag, Berlin, Germany
dr. Monika Bakke, BIO-TRANSFIGURACJE, Uniwersytet im. Adama Mickiewicza w Poznaniu, Seria filozofia i logika, nr 111, Poznan 2015